Raag Gond
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Gond Raag is every melodious, attractive and impressive raag. In Indian music, it is counted as one of the few uncommon raags. Classical kirtiniyas used to sing this raag with a touch of Bilaaval due to which it used to become even more melodious. The atma of a person who sings in this raag will be full of enthusiasm. The mind is constantly reminded to long for only One Lord for ‘Eih aas puramithree bhaao dhoojaa hai khin mehi jhooth binas subh jaaee’

Aroh : Sa Re Ga Ma, Pa Dha Nee Dha Nee Saˆˆ

Avroh : Saˆˆ Nee Dha Nee Pa, Ma Ga, Re Sa

Sur : All notes (swar) are sharp.

Thaat : Bilawal

Jaati : Sampooran – Sampooran

Time : Second quarter of the day

Vadi : Madhyam (Ma)

Samvadi : Sharaj (Sa)

Main sur : Re Ga Ma, Pa Ma, Ma Pa Nee Dha Nee Pa, Dha Ma Ga Ma,

Gond Mehalaa 5| (GGS-864)            Kirtan Kaar: Dr. Jagir Singh Chandigarh



Gur kee moorat man mehi dhiaan |gur kai sabad mantra man maan |gur kae charan ridai lai dhaaro |gur paarabreham sadaa namasakaaro |1|mat ko bharam bhulai sansaar |gur bin koe n outaras paar |1| rahaao |bhoolae ko gur maarag paaeiaa |avar tiaag har bhagatee laaeiaa |janam maran kee traas mittaaee |gur poorae kee baeant vaddaaee |2| gur prasaad ooradh kamal bigaas |andhakaar mehi bhaeiaa pragaas |jin keeaa so gur tae jaaniaa |gur kirapaa tae mugadh man maaniaa |3|gur karataa gur karanai jog |gur paramaesar hai bhee hog |kahu naanak prabh eihai janaaee |bin gur mukat n paaeeai bhaaee |4|5|7|

Gond Mehalaa 4 | (GGS-861-2)            Kirtan Kaar: Bhai Amarjeet Singh Taan



Har darasan ko maeraa man bahu tapatai jio trikhaavant bin neer |1|maerai man praem lago har teer |hamaree baedan har prabh jaanai maerae man antar kee peer |1| rahaao |maerae har preetam kee koee baat sunaavai so bhaaee so maeraa beer |2|mil mil sakhee gun kahu maerae prabh kae lae satigur kee mat deer |3|jan naanak kee har aas pujaavahu har darasan saat sareer |4|6|
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