Raag Gujri
The old and famous Gujri Raag is considered especially favorable for the singing of Bhakti emotion. The entire form of this raag being imbued with compassion, musicians have considered it as having a compassionate nature (prakriti). It begs for, ‘Har Sardha Har Piaas’. To attain one’s Husband is the goal of life, and this is expressed in ‘Goojaree jaat gavaar jaa sahu paaeae aapna. Gur kai sabad veechar anadin har jap jaapana’To get the husband everything has to be surrendered, ‘Tan man arapo pooj charaavo’

Aroh : Sa Re, Ga Ma Dha, Nee Saˆˆ

Avroh : Saˆˆ Nee Dha, Ma Ga Re, Ga Re Sa

Sur : Rishab, Gandhar and Dhaiwat are flat notes Madhyam is Teever. Pancham is forbidden node in the raag.

Thaat : Toree

Jaati : Charav - Charav

Time : Second quarter of the day.

Vadi : Dhaiwat (Dha)

Samvadi : Rishab (Re) Main sur : Dha, Ma Dha, Nee Dha, Ma Dha Ma Ga Re, Re Ga Re Sa

Ik Oankaar Satigur Prasaad | Goojuree Mehalaa 5 Dupudae Ghar 2 (GGS-498)      

Kirtan Kaar: Bhai Tejpal Singh, Bhai Surinderpal Singh(Singh Bandhu)



Patit pavitr leeeae kar apunae sagal karat namasakaaro |baran jaat kooo poochhai naahee baachhehi charan ravaaro |1|thaakur aiso naam tumaaro |sagal srisatt ko dhanee keheejai jan ko ang niraaro |1| rahaao |saadhasang naanak budh paaee har keeratan aadhaaro |naamadaeo trilochan kabeer daasaro mukat bhaeiou chanmiaaro |2|1|10|

Salok Mehalaa 3(GGS-516)            Kirtan Kaar: Bhai Niranjan Singh,Jawaddi Kalan



Goojaree jaat gavaar jaa sahu paaeae aapanaa |gur kai sabad veechaar anadin har jap jaapanaa |jis satigur milai tis bho pavai saa kulavantee naar |saa hukam pachhaanai kant kaa jis no kirapaa keetee karataar |ouh kuchajee kulakhanee parehar chhoddee bhataar |bhai paeiai mal katteeai niramal hovai sareer |antar paragaas mat ootam hovai har jap gunee geheer |bhai vich baisai bhai rehai bhai vich kamaavai kaar |aithai sukh vaddiaaeeaa darageh mokh duaar |bhai tae nirabho paaeeai mil jotee jot apaar |naanak khasamai bhaavai saa bhalee jis no aapae bakhasae karataar |1|
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