Raag Vadhans
In Gurmat sangeet, Vadhans raag has been used for classical music and also for folk tunes, ghorian and alaahania. It is necessary to be imbued with the word ( shabad )to control this body horse because Sabad ratae vadhans hai sach naam our dhaar | Sach sangrehehi sad sach rehehi sachai naam piaar |

In Sri Guru Granth Sahib ji , this raag has two structures:Vadhans and Vadhans Dakhni.

Aroh : Sa Re Ma Pa, Dha Nee Pa, Nee Saˆˆ

Avroh : Saˆˆ Nee Pa, Dha Ma Ga Re, Sa Ne Sa

Sur : Gandhar is forbidden in ascending scale, both Nishad, rest of the notes (swar) are sharp

Thaat : Khmaahj

Jaati : Charav – Sampooran

Time : Afternoon

Vadi : Pancham (Pa)

Samvadi : Rishab (Re)

Main sur : Sa Re Ma Pa Nee Pa, Dha Ma Ga Re, Sa Ne Pa Ne Sa

. Vadhans Mehalaa 5 | (GGS-562)            Kirtan Kaar: Bhai Prithipal Singh Kang



Dhan s vaelaa jit darasan karanaa |ho balihaaree satigur charanaa |1|jeea kae daatae preetam prabh maerae |man jeevai prabh naam chitaerae |1| rahaao |sach mantra tumaaraa anmrit baanee |seetal purakh drisatt sujaanee |2|sach hukam tumaaraa takhat nivaasee |aae n jaavai maeraa prabh abinaasee |3|tum miharavaan daas ham deenaa |naanak saahib bharapur leenaa |4|2|

Vadhans Mehalaa 4Ghar Doojaa 2 | (GGS-561)            Kirtan Kaar: Prof. Paramjot Singh



Ik Oankaar Satigur Prasaad | Mai man vaddee aas harae kio kar har darasan paavaa |ho jaae puchhaa apanae satagurai gur puchh man mugad samajhaavaa |bhoolaa man samajhai gur sabadee har har sadaa dhiaaeae |naanak jis nadar karae maeraa piaaraa so har charanee chit laaeae |1|ho sabh vaes karee pir kaaran jae har prabh saachae bhaavaa |so pir piaaraa mai nadar n daekhai ho kio kar dheeraj paavaa |jis kaaran ho seegaar seegaaree so pir rataa maeraa avaraa | naanak dhan dhann dhann sohaagan jin pir raaviarraa sach savaraa |2|
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